The man, P.B, has many forms.

Initially joining MUZAI Records stemming from an Instagram conversation, P.B’s first incarnation was the harsh noise terrorist King Shoji, unleashing Black Rainbow Machine on a limited repurposed cassette tape.

After two following releases (Vortex, Cherb/Demon), the King Shoji project sank back into the depth of its techno-organic trenches and made way for Death Genesis – a blackened ambient noise project that played around with moodier bass depths compared to the high-end terror of King Shoji.

P.B though considers both projects and his music construction as a whole as a form of electronic autonomy – P.B provides the flesh and blood representing the noises the machines used to create within themselves. He merely steps in when required to keep things on track; symbiotic with a pseudo-sentient cathodes,